French Northern Renaissance Painter, ca.1420-1466  Related Paintings of CHARONTON, Enguerrand :. | Two Water Mills an Open Sluice | Hooked | Seashells | A California Water Garden at Redlands | Mare and Colt in a Marsh |
Related Artists:
Johannes Lingelbach
(Frankfurt, 1622 - Amsterdam - 1674), was a Dutch Golden Age painter, associated with the second generation of Bambocciate, a group of genre painters working in Rome from 1625 - 1700.
Allan Ramsay
1713-1784 British Allan Ramsay Galleries Allan Ramsay was born in Edinburgh, Scotland, the eldest son of Allan Ramsay, poet and author of The Gentle Shepherd. Ramsay's first wife, Anne Bayne, by Ramsay Ramsay's second wife Margaret Lindsay, by RamsayFrom the age of twenty he studied in London under the Swedish painter Hans Huyssing, and at the St. Martin's Lane Academy; leaving in 1736 for Rome and Naples, where he worked for three years under Francesco Solimena and Imperiali (Francesco Fernandi). On his return in 1738 he first settled in Edinburgh, attracting attention by his head of Duncan Forbes of Culloden and his full-length portrait of the Duke of Argyll, later used on Royal Bank of Scotland banknotes. He later moved to London, where he was employed by the Duke of Bridgewater. His pleasant manners and varied culture, not less than his artistic skill, contributed to render him popular. His only serious competitor was Thomas Hudson, with whom he shared a drapery painter, Joseph van Aken. In 1739 he married his first wife, Anne Bayne, the daughter of a professor of Scots law at Edinburgh, Alexander Bayne of Rires (c.1684?C1737), and Mary Carstairs (1695??C1759). None of their 3 children survived childhood, and she died on 4 February 1743 giving birth to the third of them. One of his drawing pupils was Margaret Lindsay, eldest daughter of Sir Alexander Lindsay of Evelick and Amelia Murray (granddaughter to David Murray, 5th Viscount of Stormont and sister to the naval officer John Lindsay). He later eloped with her and on 1 March 1752 they married in the Canongate Kirk, Edinburgh, though her father never forgave her for marrying an artist. Ramsay already had to maintain a daughter from his previous marriage as well as his two surviving sisters, but told Sir Alexander that he could provide Margaret with an annual income of £100 which would increase ??as my affairs increase, and I thank God, they are in a way of increasing?? and that his only motive for the marriage was ??my love for your Daughter, who, I am sensible, is entitled to much more than ever I shall have to bestow upon her??. There were three surviving children from their long and happy marriage, Amelia (1755?C1813), Charlotte (1758?C1818?), and John (1768?C1845). Ramsay and his new wife spent 1754?C1757 together in Italy, going to Rome, Florence, Naples and Tivoli, researching, painting and drawing old masters, antiquities and archaeological sites, and (to earn an income) painting Grand Tourists' portraits. This and other trips to Italy involved more literary and antiquarian research than art. After their return, he was in 1761 appointed to succeed John Shackelton as Principle Painter in Ordinary to George III, beating Hudson to the post; and so fully employed was he on the royal portraits which the king was in the habit of presenting to ambassadors and colonial governors, that he was forced to take advantage of the services of a host of assistants--of whom David Martin and Philip Reinagle are the best known. He gave up painting in about 1770 to concentrate on literary pursuits, his health shattered by an accidental dislocation of the right arm and his second wife's death in 1782. With unflinching pertinacity, he struggled until he had completed a likeness of the king upon which he was engaged at the time, and then started for his beloved Italy, leaving behind him a series of fifty royal portraits to be completed by his assistant Reinagle. For several years he lingered in the south, his constitution finally broken. He died at Dover on 10 August 1784.
Skovgaard
Peter Christian Thamsen Skovgaard (known as P.C. Skovgaard), (4 April 1817 - 13 April 1875), Danish national romantic landscape painter, was born near Ringsted to farmer Tham Masmann Skovgaard and his wife Cathrine Elisabeth. He is one of the main figures associated with the Golden Age of Danish Painting. He is especially known for his large scale portrayals of the Danish landscape. The family had to leave the farm when he was six years old. They moved to Vejby in north Sjælland where his father earned his living as a grocer. Already as a young child he impressed his family with his artistic abilities. His mother, who had studied art under flower painter Claudius Ditlev Fritsch, gave him instructions in drawing until he was confirmed and could be sent to Copenhagen for training at the Royal Danish Academy of Art . He started his training at the Academy in 1831. He did not think much of this training or of that under private lessons starting in 1836 with J. L. Lund, romantic history painter. More advantageous to him, he felt, were the time he spent learning craft painting; the time he spent visiting the Danish Royal Painting Collection, now the National Museum of Art and studying the classical Dutch landscapes in their collection; the outdoors studies he did with friends Christian Gotfred Rump, J. Th. Lundbye, Thorald Læssøe, Dankvart Dreyer and Lorens Frølich; and the many evenings he spent with other young artists at sculptor and Academy professor Herman Ernst Freundse fashionable house. Christoffer Wilhelm Eckersberg, Academy professor, former Director and long-standing rival of Lund, although not Skovgaardes teacher, played an influential role by encouraging and arranging field studies for Academy students to paint outdoors, including to Jægersborg Dyrehave, an area which Skovgaard featured several times in his mature work. In 1836 he started at the Academyes School of Model Painting, and exhibited at Charlottenborg for the first time. His painting "Maneskinsstykke med Motiv fra Langebro" ("Moonlight piece with Motif from Langebro") was purchased by Crown Prince Christian Frederick and is now in the collection of the Copenhagen City Museum.